New Vincent Chin Podcast Never Contacted Helen Zia or the Chin Estate

Journalist Helen Zia speaks at a protest seeking justice for Vincent Chin in the 1980's. (Photo credit: Corky Lee)

This post was updated on 5/29/21 to include new developments in this story, including comments from A-Major Media. This post was updated on 6/3/21 to include new comments by Annie Tan and Rosalind Chao.

Earlier this year, it was announced that Gemma Chan would be partnering with A-Major Media and M88 to produce a new star-studded podcast centered around the 1982 racially-motivated murder of Vincent Chin that sparked a nationwide protest galvanizing the Asian American community. That podcast — Hold Still, Vincent — involves a table read of a screenplay by the same name written by Johnny Ngo, and it features a star-studded cast of Asian American actors including Remy Hii as Vincent Chin, Rosalind Chao as Vincent’s mother Lily Chin, and Kelly Marie Tran as both Liza Chan and Helen Zia. Benedict Wong, Ki Hong Lee, Stephanie Hsu and Tzi Ma also make appearances. The podcast also features an interview with Asian American artists and activists moderated by John Cho. Hold Still, Vincent released all five episodes on May 27, and is also expected to be developed into a feature film.

Both podcast and film have excited the Asian American community because they are expected to introduce a pivotal moment in Asian American movement history to a wider audience. Many were disappointed therefore when Helen Zia — the journalist who played a central role in organizing the demands for justice for Chin and his family — revealed that neither she nor the Vincent Chin Estate have ever been contacted by the makers of Hold Still, Vincent.

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“9-Man” is Premiering on a Television Near You on May 5th!


Last year, I reviewed a truly outstanding documentary called “9-Man” by filmmaker and friend of this blog, Ursula Liang. “9-Man” is an incredible exploration of the virtually unknown volleyball variant known as 9-Man, which has its roots in Toisan and which was popularized among Chinese Americans in the early twentieth century as a reaction to life in a forced bachelor society. 9-Man continues to be a streetball tradition in the Chinese American community, yet this fascinating and frenetic sport remained largely overlooked until Liang’s film. In my review last year, I described Liang’s documentary as complex and thought-provoking, and a vehicle for exploring many aspects of Asian American masculine identity today.

“9-Man” has won a bunch of awards during its time in the film festival circuit, including the Directors’ Choice award at the Seattle Asian American Film Festival, the Audience Award at the Boston Asian American Film Festival and the Grand Jury Award the Austin Asian American Film Festival. In my review, I wrote:

9-Man spotlights the uniquely Chinese-American sport of 9-man, an eighty-year old variant of volleyball popular in the southern Chinese city of Toisan and surrounding region as well as in Chinatowns throughout North America.

As a documentary, 9-Man is richly layered. Although a film about a virtually unknown sport with deep roots in Chinese American history runs the risk of being unwatchably dry, 9-Man is instead a surprisingly funny, sharp and nuanced conversation about contemporary Asian Americana.

To be honest, I actually loved this documentary so much I viewed it twice (in two different cities!) during its film festival tours: once to write my review at BAAFF, and again to introduce some friends to it when it was showing in New York City. Everyone who has seen it has loved this film, and many have asked when and how it will be available to a broader audience.

We now have an answer to that: 9-Man will be making its television debut next week on May 5th at 8pm EST (7pm CST) on World Channel!

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9-Man: A bad-ass 80-year-old Chinese American version of volleyball!


You’ve probably never heard of Nine-Man. I know I never have. But Ursula Liang, a sports journalist turned filmmaker, discovered this form of Chinatown streetball and created a film to document it.

With its roots in the 1930’s, when Chinese exclusion laws effectively restricted immigration and other legal rights of Chinese Americans in America and Canada, Nine-Man arose out of this virtual bachelor society as an escape from social and political alienation. From the documentary website:

“9-Man” is an independent feature documentary about an isolated and exceptionally athletic Chinese-American sport that’s much more than a pastime. Since the 1930’s, young men have played this gritty, streetball game competitively in the alleys and parking lots of Chinatown. When the community was a Bachelor Society (men outnumbered women 4-to-1) at a time when anti-Chinese sentiment and laws like the Chinese Exclusion Act forced Chinese restaurant workers and laundrymen to socialize exclusively amongst themselves, nine-man offered both escape and fraternity for men who were separated from their families in China and facing extreme discrimination and distrust. Today, some 80 years later, nine-man is a lasting connection to Chinatown for a community of men who know a different, more integrated America and it’s a game that has grown exponentially in athleticism. Nine-man punctuates each summer with a vibrant, aggressive, exhausting bragging-rights tournament that unites thousands of Chinese-Americans and maintains traditional rules and customs.

“9-Man” introduces the history of the game and a diverse cast of modern-day characters — from 6’7″ Olympian Kevin Wong to a 91-year-old pioneer — combining vérité footage and interviews with never before seen archival footage and photos sourced directly from the community. Pivoting between oil-spotted Chinatown parking lots and jellyfish-filled banquet scenes, the film captures the spirit of nine-man as players not only battle for a championship but fight to preserve a sport that holds so much history.

Honestly, I never bought into Linsanity, being not really a fan of basketball. But this seems like a super cool, authentically Chinese American cultural tradition that deserves documentation and exploration.

Liang’s film, 9-Man, will premiere at the Independent Film Festival of Boston on April 27th. It is currently also a finalist for the Grand Jury Prize at the LA Asian Pacific Film Festival.

If you can make it to either opening, please come out and support this cool independent film! Tickets go on sale next week for Boston and several screenings are available from May 2 -5 in LA. I’ll be trying to make it out to the Boston premiere.