Though Jordan Peele’s Get Out has been primarily read (and marketed) as an excoriation of white liberalism, Peele actually asserts the multi-racial nature of white supremacy through the character of Hiroki Tanaka (Yasuhiko Oyama), a Japanese man.
This post contains spoilers of the movie “Get Out”. Please read on with caution.
As soon as we saw this Autostraddle’s article about Roopa Rao’s web series “The ‘Other’ Love Story” we knew we had to binge watch it and devote a newsletter to it immediately. The twelve short episodes follow the lives of two teenage college students who meet and fall in love in late 1990s Bangalore.
Asian American Twitter has been abuzz this week with news that Tilda Swinton singled out Margaret Cho to explain to her the backlash surrounding her whitewashed casting as “The Ancient One” in Dr. Strange. On a recent episode of Bobby Lee’s TigerBelly podcast, Cho described the odd email exchange with Swinton, who she had never met, explaining that it left her feeling like a “house Asian, like I’m her servant.”
While many commentators have rightfully jumped on Swinton’s behavior as another example of white people expecting people (especially women) of color to perform uncompensated intellectual and emotional labor, few have discussed how Cho’s coopting of the term “house Asian” represents a parallel trend of non-Black Asian Americans repurposing Black movements, analyses, and terminology for our own purposes.
After seeing Hollywood green-light projects that actively erase Asian Americans from the silver screen (think Emma Stone playing Allison Ng or a whitewashed Doctor Strange) it’s understandable if pop culture watchers reflectively flinch when they hear news of upcoming mainstream film projects featuring characters of color.
That’s also why I did a little squeal of glee in the middle of Starbucks on Friday when I saw the news that Mr. Robot’s Rami Malek was just cast as Freddie Mercury in the upcoming Queen biopic, which is titled Bohemian Rhapsody. Malek’s casting is also hopefully a sign that this movie (which was first announced way back in 2007) is finally on the right track.
Are you an emerging AAPI filmmaker? If so, then this post is for you!
HBO announced today Asian Pacific American Visionaries, an exciting new opportunity for young AAPI filmmakers. APA Visionaries is a short film contest specifically geared towards emerging AAPI directors who use the medium of short film (either narrative or documentary) to explore the AAPI experience.
Filmmakers are invited to submit their shorts prior to the November 7th deadline.
A panel of film-making experts will select three winners from the pool of submitted films. Winning films will air at the Los Angeles Asian Pacific Film Festival in April 2017, and the film will be licensed to be distributed through HBO on-air or streaming outlets during APA Heritage Month in May 2017.
An additional cash prize will be awarded to each of the winning filmmakers, and HBO will also provide travel money so that filmmakers can attend their film’s premiere at LAAPFF.