But in the last year, I’ve grown disenchanted with mainstream media. I’ve grown to hate the hype. Above all, I’ve developed a frustration with mainstream studios, and our preoccupation as communities of colour with major studio blockbuster films as a backdrop for enacting social justice and racial equality.
Vishavjit Singh, creator of Sikhtoons, has created a cartoon expression of our collective outrage with regard to the recent apparently hate-motivated assaults of Sikh and Indian American men. The cartoon above references the September 8th, 2015 attack on 53-year-old Inderjit Singh Mukker by a teenager who allegedly called Mukker “terrorist” and “bin Laden” before repeatedly punching the older man in the face; Mukker was hospitalized with a fractured cheek, and multiple lacerations and contusions. Police originally investigated the assault as a hate crime. On Friday, the DuPage County state’s attorney announced that the incident was mere road rage, and that they were declining to prosecute the teenaged suspect for a hate crime.
This week, rumours began circulating that Tilda Swinton was in casting negotiations for Marvel’s upcoming Dr. Strange film starring Benedict Cumberbatch in the titular role. Swinton is being considered for the role of the Ancient One, a nearly-immortal Tibetan sorcerer who becomes the young Dr. Strange’s mystic tutor and personal mentor.
Last week, I saw Mad Max: Fury Road, and I really enjoyed it. Yes, I found the film refreshing for all the much-discussed feminist reasons — although consider for a minute what it says about us as a society that we think a film with a strong female lead who is on equal footing with her male counterpart is unusual and refreshing — but I also found the movie refreshing for another completely unexpected reason: for the first time in a very long time, I had a chance to just fall in love with a movie and its franchise.
I’m a child of the 80’s, but I never saw the Mad Max movies. When the decision was made to reboot the franchise, I knew nothing about it. The first time I saw the Mad Max: Fury Road trailer was in a movie theatre. I was ignorant of any online spoilers or speculation. I knew nothing about the premise or the formula of Mad Max movies. My introduction to the Mad Max character was in the opening scene of Fury Road. As the film unfolded, I was able to discover the Mad Max world and its characters — and the story of the movie (such as it is) — how George Miller intended for me to learn about them: as finished products.
It was incredible. It was amazing. I didn’t even realize how much I had missed that feeling.
And, that’s when I realized how much of what passes for fandom today has spoiled so much of what I love about being a fan.