Today, DC announced its own radical shift that would be taking hold of the DC superhero universe in the coming months. No, not another Crisis: DC announced a major roster change in the creative teams behind several ongoing titles as well as the launch of several new books, all with the general goal of “broadening” the focus of the DC universe. In layman’s terms? DC is diversifying their superheros, and it turns out that they’re going to do it the right way: behind-the-scenes as well as in front.
MarySue is all over the news, highlighting the launch of two new titles that feature strong female superhero protagonists –– Black Canary and Starfire. This will be Starfire’s first solo title, and notably, she’s received a costume redesign that (finally) covers her top half (although, of course, she’s still wearing booty shorts). In addition to a limited run Harley Quinn/ Power Girl (which may feature the new Power Girl, Tanya Spears who is Black and also apparently awesome)miniseries, these newly launched female-led titles will join ongoing series featuring Catwoman, Harley Quinn, Batgirl and Wonder Woman, making DC’s newly announced efforts one of the most inclusive comic lineups with regard to women.
In this episode, guest Snoopy Jenkins (@SnoopyJenkins) and I explore the “Thinking Man” superhero movies, and delve into the kinds of themes that appeal to us as adult fans of geek culture. We touch on a number of movies including Man of Steel, Robocop, The Matrix Trilogy and (of course) the Nolanverse Batman trilogy. I mention that the topic of this episode was inspired by my recent appearance on Flights, Tights and Movie Nights, a fandom podcast which you can find at the link provided and which is hosted by Bubbawheat (@bubbawheat).
You can view the podcast through YouTube, stream or download just the audio through the player below, or subscribe to Reappropriate: The Podcast through the iTunes Store.
As always, we invite viewers to submit questions before or during the podcast recording. You can submit questions through Twitter (@reappropriate) or through Google Hangouts before or during the recording. This episode should be a fun and lively debate, and I strongly encourage you to tune in!
Listen to audio-only version of Episode #2 using the player below:
Last week, Marvel blew the lid off the Internet when they announced two major changes to beloved Avengers heroes, both of them clearly a nod to fans demanding increased comic book diversity.
Just over eight days ago, Marvel allowed The View, a day-time talk-show with an overwhelmingly female audience, to break the news that Thor — the Asgardian Thunder God played by Chris Hemsworth in the Marvel Studios movie franchise — will now be a woman. Although the details of the storyline is unclear, in an upcoming arc, Thor will presumably no longer be able to wield Mjolnir (the hammer that serves as the symbol of his power); instead, a female peer will take up Mjolnir and adopt the name of Thor. Although fan reception was largely positive, many fans were perplexed at the news since — as my friend Will pointed out — Thor is not a title like “Superman” or “Batman”, but the character’s actual name.
Then, just a few days later, Marvel Chief Creative Officer Joe Quesada appeared on Colbert Report to announce a major storyline shift involving the launch of a new title All-New Captain America: long-time sidekick Sam Wilson (aka The Falcon, played by Anthony Mackie in the most recent Winter Soldier installment of the Captain America movie franchise) will become the new Captain America, making him a contemporary African American Captain America, and the second African American Captain America in history.
As of April 2013, The Avengers had grossed more than $600 million dollars in the US, a box office performance that has nearly tripled its (already bloated) production budget. It would be fair to say that if you’re a Hollywood movie producer, The Avengers makes you very, very, very happy.In fact, you’re hoping to make as many Avengers franchises as you possibly can.
Against this backdrop of undeniable success, it seems major Hollywood production companies are hoping to do just that. For the last few months, the Internet has been a-buzz with casting rumours for Man of Steel 2: first with news that Ben Affleck was being tapped to play an aging Batman, and last week with the announcement that virtually unknown actress Gal Gadot (of Fast and Furious franchise fame) was assuming the mantle of Wonder Woman. Although fans have long clamoured for a live-action Justice League adaptation, the fact that all three members of the heralded DC Trinity will be making an appearance in Man of Steel 2 — a movie that we all expected would be just another Superman solo vehicle — is clear indication that WB/DC has drawn inspiration from the Marvel Cinematic Universe, and is looking to fast-track the Justice League movie by rapidly introducing other characters to the silver screen. Fans have since speculated that while Gadot might make a minimal cameo in Man of Steel 2, it’s likely that she will subsequently headline her own Wonder Woman movie that would further stoke the fires for a full Justice League film.