Apparently, a conversation on race in the arts is overdue, at least for those who forget the first rule of yellowface and brownface. I still assert that yellowface and brownface is one of those “obviously racist” aggressions that really doesn’t warrant additional exposition; but, hey, everyone can benefit from a little dialogue, right?
Much of the Asian American community is in an uproar over this year’s production of “The Mikado” by the Seattle Gilbert & Sullivan Society, which features unabashed yellowface. Yesterday, I published a wonderful guest-post by LA-based activist Sean Miura (@seanmiura) about the production.
Both the Gilbert & Sullivan Society and the theater where “The Mikado” is playing — the stages of the Seattle Repertory Theater — have found themselves thrust into the spotlight. Today, in response to the controversy, the Seattle Repertory Theatre issued a public statement clarifying their relationship to the production. The Seattle Rep writes that they have no relationship with the Seattle Gilbert & Sullivan Society, and that the Bagley Wright Stage where “The Mikado” will run this month is rented to the Society by way of a contract between the Rep and the City of Seattle. Thus, the Seattle Rep clarifies that they did not authorize the Society’s yellowface production of “The Mikado”.
The Rep also commits to hosting a community townhall on race, art and cultural representation that can address some of the issues raised.