ACT NOW! Go (in-person or online) to Seattle Rep’s diversity townhall on 8/18, 6:30pm | #Mikado #SeattleAFAR

A photograph of Seattle Gilbert & Sullivan Society's production of "The Mikado".
A photograph of Seattle Gilbert & Sullivan Society’s production of “The Mikado”.

Yellowface and brownface seems to be all the rage these days.

The Asian American blogosphere has been leading a vocal online conversation over the inappropriateness of yellowface in stage productions of “The Mikado”, prompted by this July 14th op-ed by Sharon Pian Chan; you can check out the wonderful guest-post by Sean Miura that was published on this site last month in protest of Seattle’s latest yellowface “Mikado” production. Meanwhile, HBO is touting its newest cross-over show “Jonah From Tonga”, which premiered last week, and which features Australian comedian Chris Lilley in anti-Pacific Islander brownface;  you should read my post on the offensiveness of Lilley’s show and his routine use of yellowface and brownface and then sign this Change.org petition. In both cases, we’ve seen abjectly racist use of racial drag defended as artistic license, when the rhetoric in defense of yellowface can be understood at all (which isn’t always the case).

Apparently, a conversation on race in the arts is overdue, at least for those who forget the first rule of yellowface and brownface. I still assert that yellowface and brownface is one of those “obviously racist” aggressions that really doesn’t warrant additional exposition; but, hey, everyone can benefit from a little dialogue, right?

Continue reading “ACT NOW! Go (in-person or online) to Seattle Rep’s diversity townhall on 8/18, 6:30pm | #Mikado #SeattleAFAR”

Seattle Rep issues statement, will host townhall on race & art regarding yellowface #Mikado

Actors from the Seattle's Gilbert & Sullivan Society revival of "The Mikado". Photo credit: Greg Wood / Getty Images.
(corrected) Actors performing “The Mikado”. Photo credit: Greg Wood / Getty Images.

Much of the Asian American community is in an uproar over this year’s production of “The Mikado” by the Seattle Gilbert & Sullivan Society, which features unabashed yellowface. Yesterday, I published a wonderful guest-post by LA-based activist Sean Miura (@seanmiura) about the production.

Both the Gilbert & Sullivan Society and the theater where “The Mikado” is playing — the stages of the Seattle Repertory Theater — have found themselves thrust into the spotlight. Today, in response to the controversy, the Seattle Repertory Theatre issued a public statement clarifying their relationship to the production. The Seattle Rep writes that they have no relationship with the Seattle Gilbert & Sullivan Society, and that the Bagley Wright Stage where “The Mikado” will run this month is rented to the Society by way of a contract between the Rep and the City of Seattle. Thus, the Seattle Rep clarifies that they did not authorize the Society’s yellowface production of “The Mikado”.

The Rep also commits to hosting a community townhall on race, art and cultural representation that can address some of the issues raised.

Full text of the press statement after the jump.

Continue reading “Seattle Rep issues statement, will host townhall on race & art regarding yellowface #Mikado”