More Queer than Gay, ‘The Half of It’ is Wholly Necessary

Leah Lewis as Ellie Chu in "The Half Of It". (Photo credit: The Half of It / Netflix)

By Guest Contributor: Kim Tran

This post first appeared in Wear Your Voice Magazine and contains mild spoilers for the film “The Half of It”.

I was terrified of watching The Half of It. The dearth of representation for queer Asian American women means that, fair or not, a lot is riding on this lone film firmly situated in the variegated ‘coming of age’ genre. Based on early trailers, it’s obvious Alice Wu’s long-awaited follow up to the groundbreaking Saving Face could have easily fallen into convention. A reboot of Cyrano de Bergerac with a new ‘diverse’ cast. It could have been a sweet, yet flat rendition of a familiar tale. It could have been Ellie Chu (Leah Lewis) cast as the quiet, whip-smart, puppeteer behind her un-clever, friend Paul Munsky (Daniel Diemer) both in love with the same girl. It could have just been yet another version of that story except with a Chinese American lead struggling to actualize her sexuality in a small town in the Pacific Northwest. It could have been trite and saccharin and perfectly watchable. Thankfully, it wasn’t. Instead, The Half of It shows us how queer a Netflix movie can be when it takes identity as a given and not a destination. Stripped bare, Wu’s newest film is a rare gift, a movie that embodies queerness and Asianness with ease and space. 

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