I Want Off This Culture of Hype

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Last week, I saw Mad Max: Fury Road, and I really enjoyed it. Yes, I found the film refreshing for all the much-discussed feminist reasons — although consider for a minute what it says about us as a society that we think a film with a strong female lead who is on equal footing with her male counterpart is unusual and refreshing — but I also found the movie refreshing for another completely unexpected reason: for the first time in a very long time, I had a chance to just fall in love with a movie and its franchise.

I’m a child of the 80’s, but I never saw the Mad Max movies. When the decision was made to reboot the franchise, I knew nothing about it. The first time I saw the Mad Max: Fury Road trailer was in a movie theatre. I was ignorant of any online spoilers or speculation. I knew nothing about the premise or the formula of Mad Max movies. My introduction to the Mad Max character was in the opening scene of Fury Road. As the film unfolded, I was able to discover the Mad Max world and its characters — and the story of the movie (such as it is) — how George Miller intended for me to learn about them: as finished products.

It was incredible. It was amazing. I didn’t even realize how much I had missed that feeling.

And, that’s when I realized how much of what passes for fandom today has spoiled so much of what I love about being a fan.

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Magazine Calls Olivia Munn “Half-Chinese, Half-American”

Olivia Munn, featured on the February 2015 cover of CS Magazine.
Olivia Munn, featured on the February 2015 cover of CS Magazine.

(H/T @ProfChanBonPin)

Modern Luxury is an umbrella network that publishes regional print magazines focused on luxury and metropolitan living. Its Chicago Social magazine is the network’s Chicago-area publication.

The February 2015 issue of Chicago Social features a cover story with Olivia Munn. In it, Munn is described as “exotic” and “half-Chinese, half-American”.

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