Tag Archives: Hollywood

In Search of a More Authentic Metaphor for the Asian American Struggle

December 23, 2016
A political cartoon depicting Chinese laborers toiling in a plantation in late 19th century America.

Guest Contributor: Dr. Keith Chan

This article appears as a response to a recent guest writing by Mark Tseng Putterman that appeared on Reappropriate last week, “Against Antiblackness as Metaphor.”

Recently, Mark Tseng Putterman wrote “Against Antiblackness as Metaphor” as a discussion of actor and comedian Margaret Cho’s use of the phrase “House Asian” in an email exchange with fellow actor Tilda Swinton. Cho and Swinton had been emailing in relation to months of controversy over Swinton’s casting as The Ancient One in Marvel’s Dr. Strange, wherein a traditionally male, Tibetan comic book character was rewritten as a Celtic woman to enable Swinton’s portrayal; many Asian Americans had criticized Swinton’s casting as the latest example of Hollywood white-washing of Asian American roles. Earlier this month, Cho weighed in on the controversy in a podcast by revealing a private email exchange between herself and Swinton, wherein Cho described feeling as if she had been put by Swinton into the politically dubious role of a “House Asian”. While many have since focused on Swinton’s methods and motives in approaching Cho in this exchange, Putterman offered a slightly different take: he wrote to criticize Cho’s choice to use the phrase “House Asian” in her emails with Swinton. Specifically, Putterman suggested that Cho, like many Asian Americans, should reconsider our use of metaphors of Blackness to legitimize racial justice issues associated with the Asian American community, and that our continued use of such tactics undermine solidarity efforts between the Black and Asian American community.

I believe Putterman’s article raised many insightful points, and offered a fair caution against the appropriation of race identity, especially in the case of Asian Americans seeking visibility and acknowledgment of the discrimination we face. Cho’s use of the term “House Asian” during her email exchange with fellow actor Tilda Swinton is indeed controversial.

Based on his writing, I believe it was Malcolm X who coined the phrases “House Negro” vs. “Field Negro” to highlight the relative instability of the plight of all subjugated Black people. Along those lines, Ture and Hamilton’s work, Black Power, also assigned a commonality of experience of subjugation for populations of color across the globe, and coined the term “Third World.” This latter term has fallen out of favor since the 1990’s. Cho’s use of “House Asian” misses many of these nuances, and runs the danger of advancing an agenda where all experiences of discrimination, based on race or otherwise, can be viewed as equal.

Clearly, they are not.

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#StarringAffirmativeAction: How #StarringJohnCho Debunks Recent Asian American Complaints Against Ivy League Universities

June 13, 2016
Artwork submitted to #StarringJohnCho. (Photo Credit: Twitter)
Artwork submitted to #StarringJohnCho. (Photo Credit: Twitter)

By Guest Contributor: Christopher M. Lapinig

Are you all about the #StarringJohnCho posters, the Photoshop phenomenon that reimagines posters for recent Hollywood blockbusters with actor John Cho in their leading-man roles? Then you should be equally as excited about supporting race-conscious affirmative action in college admissions, too. 

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Oscars Controversy Reminds That Asians Don’t Matter in Hollywood

March 8, 2016

oscars-joke

Guest Contributor: Larissa Lam (@larissalam)

For weeks we have endured endless chatter about #OscarsSoWhite and how to better increase diversity in Hollywood. Now that the awards season has officially ended and the Academy Awards have been handed out, I can finally give my two cents about this.

I watched the Oscars knowing that the acting categories were going to be swept by white actors – after all, only white actors had been nominated. Yet, I could tell that the producers of the show, one of whom was Reginald Hudlin, a black film producer and former BET president, were trying to at least showcase diversity among the chosen presenters. I was happy to see Priyanka Chopra, Lee Byung-Hun and Olivia Munn  presenting awards. Diversity was on display in some categories: Mexican filmmaker Alejandro Inarritu won Best Director for The Revenant, Indian-British director Asif Kapadia won for the documentary Amy, Chileans, Gabriel Osorio Vargas and Pato Escala Peirart, won for Best Animated Short, and Pakistani-Canadian filmmaker Sharmeen Obaid-Chinoy won for Best Documentary Short.

Ok, so the Oscars were not completely white. But, they came pretty close to being so, and that’s because Hollywood is, itself, exclusionary.

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