Bong Joon Ho’s “Parasite” Manipulates Space to Spook Viewers and Make a Statement about Social Class

By Guest Contributor: Claudia Vaughan Bong Joon Ho’s films can be described as a genre in their own right: they…

It’s Not Just For Fun: My Reaction to Kurt Suzuki’s MAGA Hat Photo Op

By Guest Contributor: Joseph Shoji Lachman Kurt Suzuki, who is a yonsei (or, 4th generation Japanese American), wore a “Make…

Finding Asian American Identity in The Difficult Conversations

By Guest Contributors: Katerina Jeng and Krystie Yen, Co-Founders of Slant’d For so long, racial identity and discussions about race…

One Year Later, Women of Color Still Pushing Back Against Kavanaugh

By Guest Contributor: Sung Yeon Choimorrow (Executive Director, NAPAWF) One year after the confirmation of Brett Kavanaugh to the Supreme…

Crazy Rich Asians and How Hollywood Constructs Race Under Global Capitalism

By Guest Contributor: Alison Roh Park This essay originally appeared on Medium. Within six months of Crazy Rich Asians’ much…

“The Farewell” and the Duality of Language: Finding Depth in What Can and Cannot Be Said

By Guest Contributor: Claudia Vaughan Editor’s Note: Please note that this post may contain minor spoilers for the film, “The…

Orange is the New Black and Recidivism: The Need for Accurate Media Representations of the Many Causes of Incarceration

By Guest Contributor:Rachel Ko About 50,000 people a year exit incarceration only to enter immediately into homeless shelters; legal restrictions…

The Triumph Beyond Sandra Oh’s Trophy

By Guest Contributor: Jacqueline Wong Sandra Oh recently made history three times at the 76th Golden Globes Awards as the first Asian…