The Sunken Place and the Model Minority Myth

By: R. K. Guha

I sometimes wish I could go back in time and be my own guardian angel. I would reach down into that dark place of the Model Minority Myth and pull the younger me out. I would tell myself, “Baby, you got this. The best thing you can do is to ignore these goras.”

* * *

2017’s Get Out is uniquely about the Black experience in America. Everything from stand-your-ground, to backyard auctions, to the performances of white liberal guilt by Rose’s family and friends are authored from real life experience; this is no more true than with the construction of the Sunken Place, which serves as a metaphor for Black helplessness in the face of white supremacy.

As an Indian-American watching Get Out, I knew there was something about the Sunken Place that felt analogous to my own experiences growing up in America. I recalled a similar “expectation” to acquiesce to whiteness, and the tool used to keep people like me subservient: The Model Minority Myth. Like the Sunken Place, the Myth is about white control over Asian Americans. As with racism of any kind, it is about shifting goal posts and double standards.

Continue reading “The Sunken Place and the Model Minority Myth”

Unpacking Get Out’s “Asian” character

Several characters gather in a party scene from Jordan Peele’s “Get Out”. (Photo credit: ‘Get Out’ / Universal Pictures via NextShark)

By Guest Contributor:  Melissa Phruksachart (@mphruksachart)

Though Jordan Peele’s Get Out has been primarily read (and marketed) as an excoriation of white liberalism, Peele actually asserts the multi-racial nature of white supremacy through the character of Hiroki Tanaka (Yasuhiko Oyama), a Japanese man.

This post contains spoilers of the movie “Get Out”. Please read on with caution.

Continue reading “Unpacking Get Out’s “Asian” character”