Our underrepresentation is particularly troubling when considered alongside the seemingly routine mischaracterizations of AAPIs by non-Asian guests or hosts who seem to have no problem appearing on cable news programming. Quite simply, AAPIs and other people of colour are being systematically denied the opportunity to participate in forums wherein our nation’s political discourse is shaped.
As of April 2013, The Avengers had grossed more than $600 million dollars in the US, a box office performance that has nearly tripled its (already bloated) production budget. It would be fair to say that if you’re a Hollywood movie producer, The Avengers makes you very, very, very happy.In fact, you’re hoping to make as many Avengers franchises as you possibly can.
Against this backdrop of undeniable success, it seems major Hollywood production companies are hoping to do just that. For the last few months, the Internet has been a-buzz with casting rumours for Man of Steel 2: first with news that Ben Affleck was being tapped to play an aging Batman, and last week with the announcement that virtually unknown actress Gal Gadot (of Fast and Furious franchise fame) was assuming the mantle of Wonder Woman. Although fans have long clamoured for a live-action Justice League adaptation, the fact that all three members of the heralded DC Trinity will be making an appearance in Man of Steel 2 — a movie that we all expected would be just another Superman solo vehicle — is clear indication that WB/DC has drawn inspiration from the Marvel Cinematic Universe, and is looking to fast-track the Justice League movie by rapidly introducing other characters to the silver screen. Fans have since speculated that while Gadot might make a minimal cameo in Man of Steel 2, it’s likely that she will subsequently headline her own Wonder Woman movie that would further stoke the fires for a full Justice League film.
It’s news that cements the broadcast TV philosophy: ratings, not politics, will make or break a show. Mere months after Seth MacFarlane debuted his live-action sitcom, Dads, to overwhelming outcry from critics and Asian Americans for the racism/sexism/poor quality of its series pilot, Dads has been yanked from Fox’s Tuesday comedy line-up. And it wasn’t the backlash that did Dads in; it was poor ratings. Recent numbers show Dads scored a mere 1.3 on the Neilsen rating scale, which is pretty abysmal for a sitcom with its timeslot.