You don’t know me, but I’ve been with you since the very beginning.
I was organizing on-campus screenings when Justin Lin made Better Luck Tomorrow on nothing more than some shoestrings, a little spit, and a handful of maxed out credit cards. I shelled out my movie ticket money for American Pie and Harold and Kumar Go To White Castle, and even gritted my teeth through the (many, many, shitty) sequels despite my being the polar opposite of these film franchises’ target demographics. I was there for you in Flashforward and Sleepy Hollow and Selfie. I have supported you for over a decade as an immensely talented actor and one of Asian America’s break-out stars, and no one was more thrilled than I when you landed the part of Sulu in J. J. Abrams’ reboot of the Star Trek franchise; few actors deserved the opportunity more.
Asian American actors are a special bunch: to a person, you all seem to be thoughtful, reasoned, caring and politically conscious activist-actors who are deeply knowledgeable about mainstream media’s (under/mis)representation when it comes to people of colour. Perhaps it comes from the years during which you are forced to toil in acting obscurity as one of the industry’s few Asian American actors or directors, but when at last you get your “big break”, most of you use your newfound platforms to force a conversation on media diversity and better representation. I experience a moment of joyful anticipation every time I stumble across an interview with an Asian American actor, because — whether BD Wong, or Constance Wu, or Daniel Dae Kim, or Daniel Henney, or Aziz Ansari, or you — you use your respective spotlights to force a necessary conversation about Hollywood’s diversity holes. And, you all always have really great and thought-provoking things to say.