We learn from watching. If dramas are developmental exercises in identification and empathy in our formative years, one can easily surmise why many white men — such as those who take part in the alt-right movement — believe the world should revolve around only them, and women and minorities should be relegated to supporting roles or disappear entirely.
In the latest round of Hollywood whitewashing of Asian or Asian American characters, British actor Ed Skrein (The Transporter Refueled, Deadpool) has been cast in an upcoming reboot of Dark Horse Comics’ Hellboy series. Skrein will play Major Ben Daimio, a Japanese American member of the Bureau for Paranormal Research and Defense with the power to shapeshift into a were-jaguar when under physical or psychological duress.
Skrein is not Japanese.
Daimio’s Japanese American heritage has influenced the character’s history and storylines. According to Wikipedia, Daimio is the grandson of the Crimson Lotus (also known as, Yumiko Daimio), a Japanese spy active in New York City before and during World War II. When Ben Daimio’s relationship to the Crimson Lotus is revealed, his patriotism is questioned despite having been born in the United States, having been raised in a military family by his father, a war hero, and having served tours as a highly-decorated US Marine. Daimio’s body is possessed by a jaguar spirit when he is killed while on a mission in Bolivia, and he is brought back to life by it although his face still bears the scars of that mission.
Asian American Twitter has been abuzz this week with news that Tilda Swinton singled out Margaret Cho to explain to her the backlash surrounding her whitewashed casting as “The Ancient One” in Dr. Strange. On a recent episode of Bobby Lee’s TigerBelly podcast, Cho described the odd email exchange with Swinton, who she had never met, explaining that it left her feeling like a “house Asian, like I’m her servant.”
While many commentators have rightfully jumped on Swinton’s behavior as another example of white people expecting people (especially women) of color to perform uncompensated intellectual and emotional labor, few have discussed how Cho’s coopting of the term “house Asian” represents a parallel trend of non-Black Asian Americans repurposing Black movements, analyses, and terminology for our own purposes.
I know I’m about a week late on this news, but I’ve got something really important to say: ScarJo, you look absolutely ridiculous in yellowface.
When the news first broke that Scarlett Johansson had been inexplicably cast in Paramount’s film adaptation of blockbuster anime/manga series Ghost in the Shell, I wrote a scathing post declaring that ScarJo is #NotMyMotoko. Last week, that debate was rekindled when studios released a teaser image of Scarlett Johansson as Major Motoko Kusanagi. I think we can all agree: sporting a black wig styled into an asymmetric bob, Johansson looks unbelievably absurd in the role of a Japanese cyborg woman who has long stood as an icon of Asian and Asian American feminism, queer identity, and gender fluidity.
This week, rumours began circulating that Tilda Swinton was in casting negotiations for Marvel’s upcoming Dr. Strange film starring Benedict Cumberbatch in the titular role. Swinton is being considered for the role of the Ancient One, a nearly-immortal Tibetan sorcerer who becomes the young Dr. Strange’s mystic tutor and personal mentor.