Currently, Marvel X-men’s Jubilee is the unofficial face of Reappropriate. At one time, it was DC’s Cassandra Cain — a neuroatypical, mute Asian American adoptee who was the first Asian American and woman of color to take on the mantle of the Batgirl. She is also undisputedly one of the best martial artists in the DC Universe, owing to her abusive childhood when she was deprived of auditory language (or any form of social contact) and instead immersed in deadly martial arts training.
I grew up on Jubilee through her appearance in the 1990’s X-Men cartoon series. Cassandra Cain’s Batgirl occupies a different space in my fandom: her journey of self-exploration and self-agency as the newest Batgirl entered my life when I was just setting out to discover my own budding political activism. Cassandra’s efforts to reconcile her troubled past with her new life as part of the Bat-family resonated with my own exploration of political and personal identity. I love Jubilee; but, in many ways, I identify with Cassandra Cain.
Last week, I saw Mad Max: Fury Road, and I really enjoyed it. Yes, I found the film refreshing for all the much-discussed feminist reasons — although consider for a minute what it says about us as a society that we think a film with a strong female lead who is on equal footing with her male counterpart is unusual and refreshing — but I also found the movie refreshing for another completely unexpected reason: for the first time in a very long time, I had a chance to just fall in love with a movie and its franchise.
I’m a child of the 80’s, but I never saw the Mad Max movies. When the decision was made to reboot the franchise, I knew nothing about it. The first time I saw the Mad Max: Fury Road trailer was in a movie theatre. I was ignorant of any online spoilers or speculation. I knew nothing about the premise or the formula of Mad Max movies. My introduction to the Mad Max character was in the opening scene of Fury Road. As the film unfolded, I was able to discover the Mad Max world and its characters — and the story of the movie (such as it is) — how George Miller intended for me to learn about them: as finished products.
It was incredible. It was amazing. I didn’t even realize how much I had missed that feeling.
And, that’s when I realized how much of what passes for fandom today has spoiled so much of what I love about being a fan.
In this episode, guest Snoopy Jenkins (@SnoopyJenkins) and I explore the “Thinking Man” superhero movies, and delve into the kinds of themes that appeal to us as adult fans of geek culture. We touch on a number of movies including Man of Steel, Robocop, The Matrix Trilogy and (of course) the Nolanverse Batman trilogy. I mention that the topic of this episode was inspired by my recent appearance on Flights, Tights and Movie Nights, a fandom podcast which you can find at the link provided and which is hosted by Bubbawheat (@bubbawheat).
You can view the podcast through YouTube, stream or download just the audio through the player below, or subscribe to Reappropriate: The Podcast through the iTunes Store.
As always, we invite viewers to submit questions before or during the podcast recording. You can submit questions through Twitter (@reappropriate) or through Google Hangouts before or during the recording. This episode should be a fun and lively debate, and I strongly encourage you to tune in!
Listen to audio-only version of Episode #2 using the player below:
Last week, Marvel blew the lid off the Internet when they announced two major changes to beloved Avengers heroes, both of them clearly a nod to fans demanding increased comic book diversity.
Just over eight days ago, Marvel allowed The View, a day-time talk-show with an overwhelmingly female audience, to break the news that Thor — the Asgardian Thunder God played by Chris Hemsworth in the Marvel Studios movie franchise — will now be a woman. Although the details of the storyline is unclear, in an upcoming arc, Thor will presumably no longer be able to wield Mjolnir (the hammer that serves as the symbol of his power); instead, a female peer will take up Mjolnir and adopt the name of Thor. Although fan reception was largely positive, many fans were perplexed at the news since — as my friend Will pointed out — Thor is not a title like “Superman” or “Batman”, but the character’s actual name.
Then, just a few days later, Marvel Chief Creative Officer Joe Quesada appeared on Colbert Report to announce a major storyline shift involving the launch of a new title All-New Captain America: long-time sidekick Sam Wilson (aka The Falcon, played by Anthony Mackie in the most recent Winter Soldier installment of the Captain America movie franchise) will become the new Captain America, making him a contemporary African American Captain America, and the second African American Captain America in history.