To help encourage AAPI voters in 2020, the Asian American Pacific Islander Civic Engagement Fund (AAPICEF) launched the #VotingTogether program, which provides funding to artists to create bilingual artwork that could be shared digitally to help turn out the AAPI vote. Thirteen artists were selected through to AAPICEF’s open call to receive $1,000 to create their projects, which includes songs, dance, and digital artwork.
I wake up almost every day wishing I lived in California — and not just because of the sun (and the drought) — but also because it is one of the few beating hearts of AAPI cultural and political life; I’m always bummed when I find out about an awesome event or exhibit that I can’t attend because I live elsewhere in the country.
“Once upon a time it was rare to find any Asians in prestigious art schools.”
This is the first sentence of groundbreaking artist Bernice Bing’s statement for the 1990 six-woman exhibit “Completing the Circle” featuring notable Chinese American female artists, and which showed at the Southern Exposure Gallery, San Francisco. That this is how Bing chose to begin her statement is telling; Bernice Bing was one of the nation’s earliest Asian American artists to break into the elite world of modern art.