1965 to Today: Moving Towards a Majority-Minority America

Handwritten letters and postcards in Chinese. (Photo Credit: Daniel / Flickr)

By: Alton Wang (@altonwang)

We often talk about the course of history as if it is distantly in our past. This might lead us to overlook the direct implications that historic decisions and events have had on our present. I think of this not only in the greater sense of global geopolitics or major social movements, but at the level of the individual.

I recently uncovered a letter that my dad had filed away. It was addressed to my grandfather from the Commander of United States Army Communications Command in Taiwan, and it was written shortly after the termination of the Sino-American Mutual Defense Treaty, which had ensured American defense of Taiwan in case of invasion. My grandfather had worked for the U.S. Army as an electronic technician until U.S. forces began to pull away from the Taiwan Strait in 1979.

I’d long known that my grandfather had worked for the U.S. Army in some way, and that it was through this work that he was able to come to the United States; but holding this small slice of history in my hands, dated April 11, 1979, put it all in perspective. The yellowing paper—marked with the slashes of my own father’s handwriting—was an artifact from my family’s immigration story: In 1981, my father and grandparents immigrated to America.

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Rejecting the Mere Optics of Diversity: Why I Support AAPI Independent Media

A panel from Monstress, by Marjorie Liu, published by Image Comics.
A panel from Monstress, by Marjorie Liu, published by Image Comics.

2015 has been an interesting year for me.

I’ve always identified as a proud fangirl – a lover and connoisseur of all things in nerd and pop culture. I’ve routinely brought my fandom into my writing with pieces that explore the intersection of race and gender with film, television, and comic books. I’ve done my fair share of live-tweeting Walking Dead episodes, and I’ve geeked out with the best of them over comic book superheroes and their live-action incarnations.

But in the last year, I’ve grown disenchanted with mainstream media. I’ve grown to hate the hype. Above all, I’ve developed a frustration with mainstream studios, and our preoccupation as communities of colour with major studio blockbuster films as a backdrop for enacting social justice and racial equality.

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