An as-yet-unidentified 69-year-old Asian man was physically assaulted by three Chicago-area police officers after he allegedly refused to give up his seat on an overbooked United flight scheduled to depart Sunday evening from Chicago to Louisville.
In several eyewitness cellphone videos (after the jump), the man — who was seated in a window seat — is approached by the three officers. Within moments, they physically grab him and throw him from his seat. His head can be seen slamming into a nearby armrest, bloodying his face as one of the officers grabs his arms and drags his stunned form up the aisle of the plane.
This weekend, Hollywood’s live-action remake of the classic Ghost in the Shell anime opened in theatres nationwide. The film has been the subject of intense scrutiny including charges of White-washing related to the filmmakers’ highly-questionable decision to cast Scarlett Johansson in the leading role of Major Motoko Kusanagi. (In the Hollywood remake, the character is renamed Major Mira Killian to suit Johansson’s clearly non-Japanese appearance.)
Ghost in the Shell (2017) deserves all the harsh criticism it has received from movie critics and the Asian American community. Supporters of the film object, saying that the White-washing debate is a distraction. In fact, the White-washing controversy is totally relevant; moreover, it is symptomatic of the film’s essential problem: Ghost in the Shell (2017) fundamentally misunderstands its source material.
Whether due to ignorance or apathy, Ghost in the Shell (2017) fails to recognize the key thematic elements of the 1995 anime — Ghost in the Shell (1995) — from which it derives its inspiration. While Ghost in the Shell (2017) faithfully recreates many of Ghost in the Shell (1995)‘s most iconic scenes in breathtaking live-action CGI, Ghost in the Shell (2017) lacks any of Ghost in the Shell (1995)’s philosophical or theological essence. What results is an awful, wooden, lacklustre, and overtly racist live-action remake: a stilted, soulless artifice wrapped in the visually stunning iconography of the Ghost in the Shell anime franchise.
In other words, Ghost in the Shell (2017) is a shell without a ghost. All the good things about Ghost in the Shell (2017) come from the original anime, and all the terrible things are both uninspired and racist.
This review contains spoilers of both Ghost in the Shell (2017) and Ghost in the Shell (1995), as well as a brief spoiler of Ex Machina (2014). Please read on with care.
Hundreds of people took to the streets of Paris this week to protest the killing of 56-year-old Liu Shaoyo, a father of five and a Chinese national who was shot to death by French police in his home. Liu was reportedly holding a pair of scissors and descaling a fish for the family’s dinner Sunday night when plainclothes police banged on their front door.
One of Liu’s surviving daughters recounted the events that followed in a press conference held earlier this week:
In Charlotte, North Carolina, the Black community is calling for a boycott of Missha Beauty after the owner Sung Ho Lim and another female employee were caught on cellphone video physically assaulting an unidentified female customer, who appears Black. Both Lim and the unidentified female employee appear to be Asian American.
The confrontation apparently began when store employees accused the unidentified customer of shoplifting. However, the customer is heard in unedited videotape footage immediately denying the charge, and inviting employees to check her purse. Less than a minute later, Lim and the other store employee again confronted the customer which devolved into a shoving match. Lim then escalated the confrontation by shoving the customer in the throat, kicking her multiple times, and eventually placing her in a chokehold — a potentially life-threatening maneuver — while the customer pleads for him to get off of her. Indeed, eyewitnesses say that the customer was gasping for air while Lim was on top of her. Reports The Root:
Today is AAPI Equal Pay Day, a day to highlight the persistent wage gap experienced by AAPI women, transgender, and non-binary people. In fact, even though the AAPI community is the fastest-growing racial community in America, AAPI women continue to make only 85 cents to the dollar a White, non-Hispanic man of comparable education earns.
Over the course of a lifetime, that can translate to nearly half a million dollars in lost income for AAPI women compared to White male co-workers. In fact, an AAPI woman has to achieve a master’s degree or higher just to be paid the same wage as a White man who has earned a bachelor’s degree. Alternatively, AAPI women must work on average an extra two months to receive the same annual income as a White man.
When examining the in-race wage gap, the statistics are even more dire. Within the AAPI community, AAPI women make only about 80 cents to the dollar AAPI men earn. This translates to the largest in-group gender wage gap across all races or ethnicities.
Since 2001, Reappropriate has been the web's foremost Asian American activism, identity, feminism, and pop culture blog!