Actor Danielle Brooks as Taystee in Netflix's Orange Is The New Black (Photo credit: Netflix / Orange is the New Black)
By Guest Contributor:Rachel Ko
50,000 people a year exit incarceration only
to enter immediately into homeless shelters; legal restrictions and
discrimination against individuals with criminal records are often to blame. As
has been well-documented, the incarceration rate for African Americans is more than six times the incarceration rate
for white Americans. African Americans also make up more than 40 percent of the homeless population, despite
representing only 13 percent of the general population.
though general statistics don’t simultaneously track the effects of race on
incarceration and homelessness,
anti-Black racial stigma amplifies the measurable social impacts of both.
Individuals released from prisons are more likely to be re-arrested for
misdemeanor offense they commit in order to survive on the streets, but many
scholars have failed to sufficiently connect recidivism, homelessness and
more successful representation of these connections is the Netflix hit Orange is the New Black. Through Tasha
“Taystee” Jefferson, a compassionate, intelligent, and likeable African
American character, Orange
is the New Black sheds light on the lack of rehabilitative resources
and support systems that cause re-incarceration of individuals suffering from
poverty. Taystee’s story shows us that crime is not a single action; rather, it
is a series of events and complex social factors.
When I first wrote my article about BTS coming to the American Music Awards, I was excited to see this famous K-pop group that I’d heard so much about. I was happy that they would have the chance to perform on a major international stage like the AMAs. I believed that this appearance would serve as the biggest stepping stone yet for K-pop’s eventual domination of American airwaves. As I wrote on Twitter after BTS’ performance (and after I saw the crowd whipped into a frenzy), this must have been what seeing the Beatles for the first time was like. BTS has been on a roll since their big AMAs debut. They’ve hob-knobbed with R&B it-boy Khalid, and they have released a track featuring Desiigner and Steve Aoki,”Mic Drop”. Everything’s going well; or, it’s going well for BTS, anyways. The rest of K-pop, however, still hasn’t really “made it” in the States. While one might speculate as to the many reasons why K-pop has failed to penetrate the American music landscape — language barriers; stereotypes about Asian performers held by music executives; general American disinterest towards international music that isn’t British or Canadian — one major reason deserves more discussion: K-pop, as a whole, has a race problem.
This story was updated on October 17, 2017, October 18, 2017, and October 20, 2017 with new developments. Please scroll to the bottom for updates.
Charlyne Yi — the award-winning actor, comedian, writer, and musician best known for her role as a series regular on House, her voice acting work on Steven Universe, and her starring role in Paper Heartwhich she also wrote — took to Twitter earlier this week to describe her first encounter with writer, director and actor David Cross.
In a series of four tweets, Yi — who is mixed race Filipinx and Korean American — describes how when she first met Cross, Cross made fun of Yi for her appearance. When she didn’t respond, Cross reportedly said: “What’s a matter? You don’t speak English?? Ching-Chong-Ching-Chong.” Cross went on to mockingly challenge Yi to a karate match.
At the time of the encounter, Cross was over forty years old, and already an established comedian, writer and TV and film actor with several stand-up comedy specials already under his belt. Yi was a veritable newcomer to the comedy and acting scene, and was only about twenty years old.
Now, Big-O-Tree Games has decided to pull the planned game, and has issued a formal apology to the Chinese community. They have also removed all of their hosted web content related to the game from the internet.
This post was updated on October 5, 2017. Please scroll to the bottom for updates.
A Canadian independent mobile game development company, Big-O-Tree, is in hot water this week after the Asian American community caught wind of the company’s first mobile game offering: an offensive, anti-Chinese game called “Dirty Chinese Restaurant”.
The game centers around protagonist Wong Fu, a pot-bellied immigrant from Hong Kong who is tasked with managing his brother’s new Chinese food restaurant. Judging from the game’s twotrailers, game developers have taken great pains to include virtually every anti-Chinese stereotype one might be able to think of in this retro-style restaurant management mobile game. As Wong Fu, players have the option of gambling to raise money, hire undocumented immigrant workers, and pay employees exploitative wages. Workers can be motivated to work harder by invoking “sweatshop” mode. There is a mini-game where ingredients can be obtained by hunting dogs, cats, and mice, or by searching local trash bins and dumpsters. Players must bribe tax collectors, and may have their workers deported by immigration officers. An online webcomic published in association with the game suggests that protagonist Wong Fu might be an undocumented immigrant who snuck into the country on a falsified passport. Even the look of the game is offensive: characters are rendered in skin tones of bright yellow, and many restaurant patrons are inexplicably wearing coolie hats while they dine.
Food blog Grub Streetnoted that the game is one where “apparently no racist stereotype gets left behind.” Representative Grace Meng (D-NY 6th) took to Facebook to slam the game, saying “this game uses every negative and demeaning stereotype that I have ever come across as a Chinese American.” She urged the Asian American community to call out this shocking example of racism, and for Google, Apple, and Android to deny the game placement in their app stores.