The Triumph Beyond Sandra Oh’s Trophy

Sandra Oh at the 2019 Golden Globes.

By Guest Contributor: Jacqueline Wong

Sandra Oh recently made history three times at the 76th Golden Globes Awards as the first Asian American host, the first Asian American woman to win multiple Golden Globes, and the first Asian American woman in nearly 40 years to win for Best Actress in a TV Drama for her role in Killing Eve

Yet it was not just her hosting duties or her receipt of a Best Actress award that made the night so special for Asian Americans.  Rather, it was how Oh unabashedly celebrated her Asian-ness on live TV.  Asian Americans have rarely been given the opportunity to have their faces or voices broadcasted live on such a large platform.  By owning her Asian identity on stage, Oh took back control of the Asian American narrative.

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Reflecting on ‘Crazy Rich Asians’ and Being “Asian Enough” as an Asian American Adoptee

A scene from 'Crazy Rich Asians'. (Photo credit: Warner Brothers / Crazy Rich Asians)

By Guest Contributor: Katie Mantele (@chenqiaoling)

On August 15, 2018, the release of Crazy Rich Asians was celebrated by members of the Asian diaspora across the globe, and especially by Asian Americans who have both longed for and championed more diverse Asian representation in Hollywood. As many other op-eds have pointed out, it is the first major Hollywood studio film that stars an all-Asian cast since The Joy Luck Club twenty-five years ago.

As a 20-something-year-old Asian American woman who was adopted from China and raised by white American parents, the significance of this film was not lost on me, nor was the fact that I have lived up until now not seeing any faces that resembled mine portrayed in such a contemporary and nuanced way.
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Crazy Broke Asians: Asian America’s Forgotten Fight

A still from "Crazy Rich Asians" featuring actors Awkwafina, Nico Santos, and Constance Wu.

By Guest Contributor: Do Nguyen Mai

Media is already saturated with unnecessary and unrealistic displays of wealth. Crazy Rich Asians might be a fun, light-hearted summer watch, but we shouldn’t herald the film as adequate or deeply meaningful representation when so many Asian Americans are darker-skinned, working class people, and refugees. Just as Elle Woods of Legally Blonde is hardly representative of most young women, the lives of the characters in Crazy Rich Asians are far from the everyday experiences of most Asian Americans.

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Looking Back at a Road Not Taken and Forward Towards a Future Inspired by Crazy Rich Asians

Constance Wu and Henry Golding, stars of 'Crazy Rich Asians' (Photo credit: Entertainment Weekly)

By Guest Contributor: Celeste Pewter (@celeste_pewter)

The first time I told my parents I wanted to be an actor, I was seven.

I was at an age where I was mildly obsessed with Audrey Hepburn. My classics movie-loving dad had given me VHS tapes of My Fair Lady for my birthday, and after consuming all one hundred and seventy minutes of the film in all its Technicolor glory, I could think of nothing better than a career that would let me perform and dress up in fabulous costumes daily, just like Audrey herself.

I had more than a few childish daydreams: I would first wow film crew on set, as Hepburn had likely wowed the Fair Lady crew in her transformative performance as Eliza Doolittle. Once my film(s) were released, I would charm my way through the awards season before finally taking to the stage at the Academy Awards and graciously accepting the holy grail of acting: the Best Actress Oscar. In my young heart, this was obviously a future that was meant to be.

But when I confidently announced my future vocation plans to my parents, they laughed knowingly, before sitting me down to have a conversation on the ways of the world.

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#HollywoodSoWhite: How Lack of On-Screen Diversity Perpetuates White Supremacy

Tilda Swinton as The Ancient One in “Dr. Strange” (Photo credit: YouTube).

By Guest Contributor: Martin Tsai

This post originally appeared on Medium.

By almost single-mindedly catering to a young, white, male audience, Hollywood has been complicit in fostering and perpetuating white hegemony.

The Hollywood Diversity Report by the Ralph J. Bunche Center for African American Studies at UCLA found only 29 percent of films released in 2015 featured female leads and only 13.6 percent featured minority leads. A USC Annenberg study of the 700 top-grossing films between 2007 and 2014 (excluding 2011) and their more than 30,000 characters revealed that diversity in casting remained stagnant. White male moviegoers are seldom required to identify or empathize with female or minority characters, something female and minority moviegoers have little choice but to do with white male characters.

We learn from watching. If dramas are developmental exercises in identification and empathy in our formative years, one can easily surmise why many white men — such as those who take part in the alt-right movement — believe the world should revolve around only them, and women and minorities should be relegated to supporting roles or disappear entirely.

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