How does Asian American identity shape or complicate queer identity? Why is the intersection of LGBTQIA+ identity with the Asian American community so often overlooked? How do we find common language to talk about gender and sexuality across the distinct cultural contexts that make up the Asian diasporic experience?
Reappropriate is excited to solicit pitches for short- or long-form personal essays on the topic of Asian American x LGBTQIA+ identity. Experienced or novice essay writers are encouraged to submit a brief pitch or full-length draft here.
Created in 2002, Reappropriate is one of the web’s oldest and most popular Asian American and Pacific Islander (AAPI) race advocacy and feminism blogs. The blog’s writing focuses on race, gender, identity, Asian American history, and current events.
GAPIMNY condemns the murder of George Floyd and stands in unyielding solidarity with the Minneapolis protesters who rise up in his memory. We also join those who argue that Floyd’s murderer, officer Derek Chauvin, is not just one bad cop in an otherwise redeemable system of policing, but further proof—like Darren Wilson, Daniel Pantaleo, Peter Liang and others before him—that the institution of policing in the United States is irredeemably anti-black and must be abolished.
I was terrified of watching The Half of It. The dearth of representation for queer Asian American women means that, fair or not, a lot is riding on this lone film firmly situated in the variegated ‘coming of age’ genre. Based on early trailers, it’s obvious Alice Wu’s long-awaited follow up to the groundbreaking Saving Face could have easily fallen into convention. A reboot of Cyrano de Bergerac with a new ‘diverse’ cast. It could have been a sweet, yet flat rendition of a familiar tale. It could have been Ellie Chu (Leah Lewis) cast as the quiet, whip-smart, puppeteer behind her un-clever, friend Paul Munsky (Daniel Diemer) both in love with the same girl. It could have just been yet another version of that story except with a Chinese American lead struggling to actualize her sexuality in a small town in the Pacific Northwest. It could have been trite and saccharin and perfectly watchable. Thankfully, it wasn’t. Instead, The Half of It shows us how queer a Netflix movie can be when it takes identity as a given and not a destination. Stripped bare, Wu’s newest film is a rare gift, a movie that embodies queerness and Asianness with ease and space.
This past weekend, I made a whirlwind trip to Portland, Oregon to speak at my first-ever Association for Asian American Studies (AAAS) conference, the nation’s largest academic conference of Asian American Studies scholars. I was honoured to be included as part of a round-table discussion on Asian American feminism, sexism, sexual violence, and toxic masculinity; and, I was deeply moved by the fact that such a difficult subject attracted a full room of young scholars, academics and activists at 9:45am on a Saturday morning. I was even more excited to learn that the AAAS community is seeking to revive a focus on AAPI feminism at upcoming conferences.
I’ve already made many arguments about why we need AAPI Studies. The engaging, thoughtful, and supportive environment at AAAS is only the latest reason that I believe our community desperately needs to do more to support our Asian American Studies academics and scholars.
This past weekend, I attended my first AAAS conference; I certainly hope it will not be my last. For one thing, I am particularly impressed by the announcement this week that the AAAS board has decided to take a stance in support of the LGBTQ community, and to withdraw their 2018 conference from Tennessee where the state legislature has attempted to pass a spate of anti-LGBTQ legislation in the past year.
As soon as we saw this Autostraddle’s article about Roopa Rao’s web series “The ‘Other’ Love Story” we knew we had to binge watch it and devote a newsletter to it immediately. The twelve short episodes follow the lives of two teenage college students who meet and fall in love in late 1990s Bangalore.