Author Chanel Miller reveals her identity as Emily Doe in an interview for her book "Know My Name".
By Guest Contributor: Frankie Huang
In the summer of 2016, I was one of millions around the world to read Chanel Miller’s statement to Brock Turner, her rapist. The pain and power in her words shook me then. I was still coming into my feminism, and I was still learning that every victim is imperfect, and that this does not make their suffering any more deserved. Yet, I still struggled with the question: is dignity claimed or earned?
Back when she was still Emily Doe, I wondered if she’s a woman of color like me. I wondered if I deserved to wield the same righteous fury that she did.
Continue reading “How Chanel Miller’s Story Inspires Me To Tell Mine”
Protesters hold signs opposing Brett Kavanaugh's confirmation to the Supreme Court of the United States in New York on July 10, 2018. (Photo credit: AP / Seth Wenig)
By Guest Contributor: Sung Yeon Choimorrow (Executive Director, NAPAWF)
One year after the confirmation of Brett Kavanaugh to the Supreme
Court, women of color, our families, and our communities are still under
attack. This time last year, more than 100 women and people of color from all
over the country traveled to Washington, DC to voice our strong opposition to
Kavanaugh at the first-ever Reproductive Justice Day of Action. We showed our
collective power in the halls of Congress to fight Kavanaugh’s nomination
because we knew it would exacerbate the decades-long degradation of our rights
and disregard for our lives, our families, and communities.
Continue reading “One Year Later, Women of Color Still Pushing Back Against Kavanaugh”
A screenshot from "Crazy Rich Asians".
By Guest Contributor: Alison Roh Park
This essay originally appeared on Medium.
Within six months of Crazy Rich Asians’ much anticipated release, I was physically assaulted by a White woman in furs on the 6-train in New York City. She shouted at me to go back to China, and shortly thereafter I was verbally assaulted on the 1-train by a musician/busker (and a middle-aged Black gentleman) whom I didn’t have a donation for. Ironically, this was all while I was seated across from two White women also wearing fur.
Asian American New Yorkers have the greatest internal wealth disparity than any other group. Chinese Americans are disproportionately represented under the poverty line, while headlines about massive Chinese real estate buys and a so-called U.S.-China trade war loom on every outlet. This plays out for urban Asian Americans on the hyperlocal level in New York City — for instance, in Sunset Park, Brooklyn, overseas Chinese real estate buyers and developers are gentrifying and displacing longtime Chinese residents of this historic neighborhood.
Meanwhile, Asian American women remain pointedly invisible. Shows like The Expanse and Top of the Lake: China Girl (literally — with the White feminist superstar Elizabeth Moss investigating the rape and disappearance of a virtually mute 12 year old Vietnamese girl) hinge on the idea and trope of “Asian Women” and as victims of sexual violence whose end is inevitable, while simultaneously obliterating them from the actual substance of the show.
Continue reading “Crazy Rich Asians and How Hollywood Constructs Race Under Global Capitalism”
Representative Ayanna Pressley speaks at a podium during a press conference as Representatives Ilhan Omar, Alexandria Ocasio-Cortez, and Rashida Tlaib look on.
By Guest Contributor: Sudip Bhattacharya
After Alexandria Ocasio-Cortez’s upset primary win against
the establishment Democrat in New York’s 14th Congressional District,
I contacted my Democratic Socialists of America chapter to see how I could
help. Prior to Ocasio-Cortez’s victory, I had hesitated in officially joining
the DSA. I believed it offered little for black and brown communities like mine.
However, watching clips of Ocasio-Cortez speaking on issues important to
working-class black and brown people while knowing that she was endorsed by the
DSA, forced me to rethink my previous assumptions.
Ocasio-Cortez, and others like Ayanna Pressley, and Rashida
Tlaib also forced my colleagues and students at Rutgers University to reassess
what they may have thought about politics. More students are now receptive to
discussions of socialism and feel emboldened in positively changing the U.S. political
system. My own family members and friends have become obsessed with Ocasio-Cortez
and those like her — they read whatever they can about them and share clips of
them on social media.
However, as I’ve continued to help organize around issues like housing with our Central Jersey DSA chapter, I also recognize the limits of electoral politics in significantly improving peoples’ lives, especially for black and brown communities. After all, in New Jersey, we have Democrats dominating the State Assembly and a Democrat as Governor — and yet, living and working conditions for many black and brown residents continue to deteriorate. Therefore, it is necessary to reevaluate the role of electoral politics in building socialism. I argue that when examining electoral politics, we must center our analysis on black and brown people in the U.S. Doing so reveals that electoral politics shouldn’t be summarily dismissed, but ultimately, our goal must be to build constituencies among people of color that remain independent of either political party. Only with this strategy can we apply pressure to policymakers — regardless of their partisan affiliation and campaign promises – to better the lives of black and brown people.
Continue reading “Building Power at the Intersection of Race and Electoral Politics”
Scene from "The Farewell", directed by Lulu Wang and starring Awkwafina.
By Guest Contributor: Claudia Vaughan
Editor’s Note: Please note that this post may contain minor spoilers for the film, “The Farewell”.
The Farewell, A24’s latest film
from Chinese-American director Lulu Wang, hit theaters earlier this month,
packing a soft but powerful punch. At its core, the film examines what it means
to be a caring, accountable family member – AND whether that can ever include
being untruthful with your loved ones. The opening scene cheekily notes that
the story is “based on an actual lie,” borrowing from real
events in Wang’s own life centered around her family’s decision to
hide news of her grandmother Nai Nai’s terminal cancer from her. (The story
originally ran as an
episode of This American Life before Wang began developing it as a
The choice not to inform an elderly relative of his/her illness is commonplace in some Asian cultures, as relatives receive the diagnosis from the doctor first and then choose whether that information is actually shared with the patient. Oftentimes it is not, as is the case in The Farewell. Because of the family’s decision to keep Nai Nai’s diagnosis a secret from her, The Farewell quickly becomes a story of what can and cannot be said – both literally, due to language barriers, and figuratively, in terms of what information can be divulged to whom.
One might even say that language becomes a character in its own right, proving to be a source of power – the more of it you have, the more information you accumulate, but, on the other hand, the more responsibility you must then personally bear.
Continue reading ““The Farewell” and the Duality of Language: Finding Depth in What Can and Cannot Be Said”