Lady Trieu (Hong Chau) from HBO's Watchmen. (Photo Credit: HBO)
By Guest Contributor: Mai Nguyen Do
The reveal of Watchmen’s Lady Trieu began as a promise of innovative retelling and reinvention. The numerous tweets referencing this mysterious woman compelled me to start watching the show, and her enigmatic character led me to believe that perhaps she would, like her namesake, ride storms for the sake of liberation. Instead of working towards reclamation and freedom for others, however, Trieu seeks to conquer the world only for herself.
Note: This post contains spoilers for the
first season of HBO’s Watchmen.
Continue reading “Watchmen breaks the promise of Lady Trieu’s naming”
A scene from Bong Joon Ho's film, "Parasite".
By Guest Contributor: Claudia Vaughan
Bong Joon Ho’s films can be described as a genre in their own right: they play with the fantastical and the extreme to make assertions about society that leave viewers feeling deeply unsettled. While his worlds are sometimes quite outlandish, his characters and their pains are always very real and relatable. Such is the case with his latest film, “Parasite,” which Bong describes as a tragicomedy. Though “Parasite” does not use any supernatural elements, it is a major thrill ride that will have viewers nervously clutching their seats for the duration of the film.
Note: This review
may contain minor spoilers for the film “Parasite”.
Continue reading “Bong Joon Ho’s “Parasite” Manipulates Space to Spook Viewers and Make a Statement about Social Class”
The author's family, the Shojis, who were forcibly held at Minidoka during World War II. (Photo Credit: Joseph Lachman)
By Guest Contributor: Joseph Shoji Lachman
Kurt Suzuki, who is a yonsei (or, 4th generation Japanese American), wore a “Make America Great Again” hat — a disgusting white supremacist symbol — when visiting the White House last week. It was horrifying, and symbolic of larger issues of Asian American adjacency to white privilege.
The question I always want to pose to these Trump-supporting Japanese Americans is: How can you support a guy whose campaign and supporters have voiced support for the incarceration of Japanese Americans, and who have used that history as a justification for oppressing other minority groups?
Continue reading “It’s Not Just For Fun: My Reaction to Kurt Suzuki’s MAGA Hat Photo Op”
A child sits with their parent, holding an American flag. (Photo credit: Center for American Progress)
By Guest Contributors: Katerina Jeng and Krystie Yen, Co-Founders of Slant’d
For so long, racial identity and discussions about race in America have largely been constrained to a black and white dichotomy. With a history rooted in anti-blackness, the black-white framing of racial identity has historically silenced communities of color and pitted non-black communities, including Asian Americans, against movements for black liberation. As Asian Americans fight for better representation and uplift for our community and other communities of color, where do we fall in this conversation about the complex reality of race in America?
While Asian Americans have been organizing alongside other communities of color for years, much of this progress has been pushed back by the pervasiveness of the model minority myth, which silences our perspectives. We are now the fastest growing racial group and are poised to become the largest immigrant group in the country — and that’s why it has never been more important to have conversations about what our community needs and how to advocate for ourselves. Given all of this, we now have the opportunity to create a vision for our community that is inclusive — and we will need to turn to one another to better understand who we are and how we want to be represented.
Continue reading “Finding Asian American Identity in The Difficult Conversations”
Author Chanel Miller reveals her identity as Emily Doe in an interview for her book "Know My Name".
By Guest Contributor: Frankie Huang
In the summer of 2016, I was one of millions around the world to read Chanel Miller’s statement to Brock Turner, her rapist. The pain and power in her words shook me then. I was still coming into my feminism, and I was still learning that every victim is imperfect, and that this does not make their suffering any more deserved. Yet, I still struggled with the question: is dignity claimed or earned?
Back when she was still Emily Doe, I wondered if she’s a woman of color like me. I wondered if I deserved to wield the same righteous fury that she did.
Content warning: rape, sexual assault
Continue reading “How Chanel Miller’s Story Inspires Me To Tell Mine”