My #MeToo Story: A Childhood Changed

(Photo credit: Flickr / Ole Husby)

By Guest Contributor: Renee Ya (@dnldreams)

(Editor’s Note: Last week, survivors of sexual harassment and sexual assault took to social media to trend the #metoo hashtag with their stories. This is one of those stories.)

Is it fucked up that my #metoo story is also one of my earliest memories? In all, I can recall only about four memories from before I started kindergarten, most of them are relatively innocent.

In one memory, my father and I walk down the street of my childhood neighborhood. We were walking towards to the model homes. I was probably two years old.

In another, I run to the bathroom to grab my father some toilet paper. He had cut his finger making us food.

Then, there is the memory of me trying to drink water out of a chopstick. There is even a photo to substantiate my recollections of that moment. My babysitter, whom I love dearly, thinks it would be so funny if they switch out my straw for a chopstick. When I try to drink out of my straw-but-not-a-straw, nothing comes out. I start crying. I am maybe eight months old.

These are the innocent memories formed of a childhood that should have remained innocent.

But then, there is that last memory. It is night time. I don’t see any details of the faces of those crowded outside. I am locked in the cab of an old, beat-up, white pickup truck. Inside the truck, it is just me and my cousin, who is two months older than me.

Is it still sexual assault if no one touches you?

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#HollywoodSoWhite: How Lack of On-Screen Diversity Perpetuates White Supremacy

Tilda Swinton as The Ancient One in “Dr. Strange” (Photo credit: YouTube).

By Guest Contributor: Martin Tsai

This post originally appeared on Medium.

By almost single-mindedly catering to a young, white, male audience, Hollywood has been complicit in fostering and perpetuating white hegemony.

The Hollywood Diversity Report by the Ralph J. Bunche Center for African American Studies at UCLA found only 29 percent of films released in 2015 featured female leads and only 13.6 percent featured minority leads. A USC Annenberg study of the 700 top-grossing films between 2007 and 2014 (excluding 2011) and their more than 30,000 characters revealed that diversity in casting remained stagnant. White male moviegoers are seldom required to identify or empathize with female or minority characters, something female and minority moviegoers have little choice but to do with white male characters.

We learn from watching. If dramas are developmental exercises in identification and empathy in our formative years, one can easily surmise why many white men — such as those who take part in the alt-right movement — believe the world should revolve around only them, and women and minorities should be relegated to supporting roles or disappear entirely.

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Eating Our Own: Deconstructing the Misogynistic Myths of Asian American Antifeminism

By Guest Contributor: Ju-Hyun Park (@Hermit_Hwarang)

A disturbing antifeminist wave has swept through many Asian American digital spaces in the past few years.

Though misogyny in self-professed progressive and radical Asian American spaces is nothing new, the specific iteration that has developed presents a departure from past forms.  Whereas older Asian American antifeminisms would seldom engage feminist theory, the new Asian American antifeminism co-opts the work of Black and Asian feminists in service of narratives that position the prioritization of Asian American cishetero men as a truly “feminist,” even “intersectional,” venture.

In recent months, Medium, Nextshark, and YOMYOMF have been flooded with a torrent of articles exemplifying this antifeminism. These pieces have ranged from screeds decrying Asian feminism as complicit in White supremacy to fictionalized accounts of East Asian women marrying neo-Nazis. Generally speaking, these articles have focused on Asian women in interracial relationships with White men, and have presented these pairings as evidence of a hidden sexual agenda in Asian feminism, and Asian women’s enthusiastic participation in the structural oppression of Asian men.

These arguments are not new. They have existed as undercurrents in Asian American politics for some time. However, the willingness of popular Asian American news media outlets to provide a platform for these ideas is cause for alarm. By offering space for these pieces, sites like YOMYOMF and Nextshark are proliferating an antifeminist ideology amongst their respective audiences. This development not only threatens Asian feminists, but also Asian women in general and our movement as a whole. It therefore demands a response.

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The Power of Anti-Black Ideology

A protester holds up a sign that reads “Hands Up, Dont Shoot.” Photo credit: Flickr / Chris Wieland)

By Guest Contributor: Sudip Bhattacharya

The acquittal of police officer, Betty Shelby, in the shooting death of Terence Crutcher was preordained.

The narrative follows a familiar pattern: A White individual (Shelby) encounters an unarmed African American man, and with no evident motive, chooses to end the life of the Black person standing before them.

Crutcher’s death is his fault,” she later said. It is hard to imagine how that could be the case. Dashcam video shows that Crutcher was shot and killed while unarmed and complying with police orders.

After my visit to Ferguson last summer, I referenced the writings of Simone Browne, Christina Sharpe, and Alexander G. Weheliye, to argue that unless we understand how Anti-Blackness/Whiteness operate in the U.S., we will consistently fail in creating a society that would treat everyone with dignity and respect. Without this understanding, we will never build a place that honors the hopes and dreams of someone like Terence Crutcher.

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Men of Color and Masculinity

Jeremy Lin, adapted from a photoshoot for Adidas.

By Guest Contributor: Sudip Bhattacharya

Recently, Brooklyn Nets star Jeremy Lin said to the New York Daily News, “A lot of times we have Asian girls go for non-Asian guys but you don’t see a lot of the opposite. You don’t see a lot of the opposite; you don’t see a lot of non-Asian girls go for Asian guys. When they said ‘Yellow Fever’ growing up, it wasn’t all these white girls going for Asian guys. It was the Asian girls going for the white guys.”

Although Lin was relatively thoughtful throughout his interview, his answers nonetheless reinforced a damaging myth: that Asian American women have more advantages than their male counterparts.

Lin represents a segment among men of color who have become obsessed with embodying a superficial and regressive “masculinity.” If our goal is to dismantle patriarchy, we must form a deeper, layered understanding of “masculinity” and its relationship to Black, Brown, and East Asian American men. That radical reexamination of the “masculine” must account for the marginalization that many men of color feel, while not absolving them of their role in perpetuating misogyny.

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