It’s a headline that might have described the antics in an episode of “Family Guy”: White guy pretends to be a Japanese guy to work as a comic book writer, and keeps the charade going for two years until he one day kills off his Asian altere-go when it outlived its usefulness. And, as with so many “Family Guy” subplots, the story has an overtly racist undertone.
No one would imagine that not only would this happen in real life, but that the White man in question would be named this year as Marvel Comics’ Editor-in-Chief — one of the top positions in the comic book industry. But yes, earlier last month, Bleeding Cool broke the news that newly-promoted Marvel Comics EIC C.B. Cebulski had spent two years between 2004 and 2005 writing several prominent Marvel titles under the invented guise of “Akira Yoshida”. Adding insult to injury, most of the stories written by Cebulski-as-Yoshida are Asiaphilic fables involving White protagonists immersed in the hyper-saturated colours of Orientalist fantasy.
The Ebola epidemic triggered a worldwide response. The United States committed to the largest sum for assistance and relief efforts of any country with its appropriation of 5.4 billion dollars to fight the outbreak. The US Agency for International Development (USAID), the Center for Diseases Control (CDC), and the Department of Defense were all mobilized to set up a response infrastructure on the ground to contain the outbreak. At the international level, the United Nations and the World Health Organization coordinated a global response to the Ebola outbreak, designating it the “number one global crisis for the United Nations.” The World Bank also pledged a two hundred thirty million dollar aid package for affected countries in West Africa.
The sheer scale of the US and UN response to the Ebola crisis was critical to getting the pandemic under control, but some of the most innovative and beneficial proposals to combat the epidemic arose from the minds of some innovative Asian-American millennials. The United States Agency for International Development sponsored a “Fighting Ebola Grand Challenge,” in 2014 in which citizens from across the nation could propose new ideas to battle Ebola. Three Columbia University students, Jason Kang, Kevin Tyan, and Katherine Jin, were selected from over fifteen hundred applicants, for their invention called “Highlight.”
Houston-area mother, Mei Rui, was traveling with her two-year old toddler and her elderly parents on a Spirit Airlines flight from Houston to Newark last week when she and her family was removed from their seats for breastfeeding.
When I first wrote my article about BTS coming to the American Music Awards, I was excited to see this famous K-pop group that I’d heard so much about. I was happy that they would have the chance to perform on a major international stage like the AMAs. I believed that this appearance would serve as the biggest stepping stone yet for K-pop’s eventual domination of American airwaves. As I wrote on Twitter after BTS’ performance (and after I saw the crowd whipped into a frenzy), this must have been what seeing the Beatles for the first time was like. BTS has been on a roll since their big AMAs debut. They’ve hob-knobbed with R&B it-boy Khalid, and they have released a track featuring Desiigner and Steve Aoki,”Mic Drop”. Everything’s going well; or, it’s going well for BTS, anyways. The rest of K-pop, however, still hasn’t really “made it” in the States. While one might speculate as to the many reasons why K-pop has failed to penetrate the American music landscape — language barriers; stereotypes about Asian performers held by music executives; general American disinterest towards international music that isn’t British or Canadian — one major reason deserves more discussion: K-pop, as a whole, has a race problem.